Oedipus Rex Is A Greek Tragedy Written By Sophocles

Oedipus Rex is a Greek tragedy written by Sophocles. Sophocles, through writing this work along with Antigone and Oedipus at Colonus, became a legendary tragedian, and went off to produce several other works. This classic tragedy held great influence over Aristotle’s six components in his work, the Poetics, more specifically, over the component of plot and character. The birth of Oedipus Rex since spurred countless famous interpretations, including ones by the father of psychoanalysis himself, Sigmund Freud, and French anthropologist Claude Là ©vi-Strauss, who developed Sophocles’ drama into the â€Å"Oedipus Complex,† the desire to kill one parent and marry the other, and examined the â€Å"overrating and underrating of blood relations† in the story, respectively. After having read the story of Oedipus Rex myself, I have found that a recurring theme to be â€Å"blindness vs. sight.† By recounting the major scenes that relate back to the ideas of s ight and blindness in Oedipus, such as Oedipus’ interaction with the priest’s beginning speech that commends Oedipus’ eyesight among other traits, his malicious encounter with the prophet Tiresias, and when he blinds himself after discovering his unknown atrocities, and interpreting them to the best of my knowledge, I believe I can come to a clear, cohesive thesis. That through Oedipus Rex, Sophocles is trying to convey that it’s better to remain blind, in this case to be ignorant, rather than suffer the harsh realities that come with sight, orShow MoreRelatedGreek Mythology And Mythology Of The Iliad, Oedipus Rex And Others1294 Words   |  6 Pagesthis have been seen throughout the world, especially in Greek culture. The ancient Greeks had a rich culture, which they used often in their works; examples of this are seen in the Iliad, Oedipus Rex and others. The existence of Greek mythology and narratives plays a significant role in shaping the arts, mos t notably dance and performance. It also prompted the Aristotle Poetics that discussed the value of six specific traits in every tragedy. It has even encouraged the usage in other fields of studyRead More Comparing A Dolls House and Oedipus Rex Essay1672 Words   |  7 PagesComparing A Dolls House and Oedipus Rex Ibsens drama A Dolls House, serves as an example of the kind of issue-based drama that distinguishes Ibsen from many of his contemporaries. The plays dialogue is not poetic, but very naturalistic, and the characters are recognizable people. Given the sense of modernity which the play possesses it seems unusual to compare it to a Greek tragedy produced more than two-thousand years previously. On closer examination however, thereRead MoreTragedy and Comedy Essay1248 Words   |  5 Pagespowerful than the written word. At its worst, theater will merely bore; while at its best it will not only entertain but move and shape its audience. Two such genres of theater, or drama, have consistently achieved this effect. Tragedy, represented by the weeping actors’ mask, usually features the title character’s fall from greatness to ruin, guided by the gods or fate. Oedipus Rex, written by Sophocles, is the epitome of classic Tragedy, as defined by Aristotle (96-101). Here, Oedipus falls from kingshipRead MoreOedipus The King By Sophocles1165 Words   |  5 PagesOedipus the King was written by Sophocles and was is titled Oedipus Rex in Latin. It is one of the most well-known Greek tragedies. As is the case with Greek tragedies—or roughly most tragedies that make their way to stage—fate plays a key role in the events in Oedipus Rex. Oedipus discovers there is a plague on his city. The only way to lift the plague is by slaying the former king’s killer. As the play’s acts unfold one discovers about the prophecy concerning Oedipus. The prophecy states that OedipusRead MoreOedipus Rex Research Paper1035 Words   |  5 PagesOedipus Rex Oedipus Rex is one of the most well written plays. Oedipus Rex has a tragic flaw which leads to his destruction. Oedipus’ flaw leads him to suffer and arouses Pity and Fear from the crowd; Scared that it could happen to them. The Unity of Plot has a beginning, middle and end, along with that Oedipus grows in knowledge about his birthing, but is ignorant for not realizing he brought the problems on Thebes. Oedipus is a confident, wise and strong-willed character, but these characteristicsRead MoreEssay about Oedipus Rex and Fight Club965 Words   |  4 PagesOedipus Rex, a play written by Sophocles, and Fight Club, a movie directed by David Fincher, are two stories that relate to one another by sharing similar ideas and life lessons. One could argue that both contain essential qualities and characteristics of classical tragedy, but are they both ultimately tragic in the classical sense of the word? I believe that both Oedipus Rex and Fight Club do, in fact, exhibit the importa nt qualities of classical tragedy but ultimately, I think that only one ofRead MoreComparing Oedipus Rex And Death Of A Salesman By Arthur Miller1255 Words   |  6 Pagesa. Tragedy†¦ we all will go through this at least once in our lifetime. It is inevitable. It has been around since the beginning of time. The ancient Greek’s used it in a manner in which we still use it today in Modern times. b. Today I will be comparing the two works such as Oedipus Rex, which is a playwright written by the great Sophocles and another playwright named Death Of A Salesman written by Arthur Miller. c. Through out the years, there has been a lot of controversy on whether or not DeathRead MoreOedipus Complex Essay1115 Words   |  5 PagesEver heard of the Oedipus Complex? Thank Greek playwright Sophocles and Sigmund Freud. In short, the Oedipus Complex, is when a male is born, a â€Å"fondness† or â€Å"lust† is created for his mother and a hatred for his father. In due time, the idea became prevalent after the works of Sophocles and was adapted for psychology. Nevertheless, Oedipus Rex was written around the 5th century B.C.E. Later, to continue the story Sophocles wrote Antigone. Oedipus Rex follows the character of Oedipus, the King of ThebesRead MoreOedipus Rex Essay1335 Words   |  6 Pagesdrank my father’s blood offered you by my hands, do you remember still what I did as you looked on, and what I did when I came here?† (Oedipus Rex, 1575-1580). Precisely placed at the crossroads of fate and autonomy, Oedipus struggles to define what, exactly , is fate and what, exactly, is left to his own discretion; Oedipus Rex challenges the common thought of Greek Society. Transcending more than one thousand years, questions often posed within the context of this play come to light in high schoolRead MoreThe Tragic Ending Of King Oedipus1060 Words   |  5 Pages Gauen 27 October 2014 The Tragic Ending of King Oedipus Following the victories of the Greeks invading the Persians at Marathon in 490 B.C. and Salamis in 480 B.C., Athens experienced a period of social optimism and period expansion during the first half of the fifth century B.C. The second half of the fifth century B.C. was also very successful in that Athenians tremendously developed culturally and intellectually. This was the era of Sophocles and a period where everything and anything seemed

Movie Review Coraline - 1511 Words

The movie, Coraline is an animated film that takes you to another universe in your mind. Adventure and suspense are major aspects of this movie. Though the targeted audience of the movie is geared towards young adults, it is also child friendly. The genre of the movie is fantasy/thriller; movies categorized by this genre are usually seasonal thrillers. Most people choose to watch these types of movies during the autumn or Halloween season. Other movies in this genre include Monster House and The Nightmare Before Christmas. In the film Coraline the setting, theme, mood, and atmosphere that is portrayed makes this film very intriguing. As the film, Coraline is directed towards young adults, this specific audience will often find this movie very fascinating. Though the targeted audience if for teens, this movie is appropriate for any viewer that is age nine or older. However, younger children may not understand the entire concept of the movie. Anyone under that age may need parental advisory when watching this movie, as this movie may scare, or be very disturbing for younger viewers. Coraline tells a story that the audience may be able to relate to in real life. Mentally, the film is brought to life. The idea of a parallel universe depicted in the setting of the story, the lessons portrayed in the theme of the film, and the atmosphere causes the viewer to relate the fantasy to reality. Notably, one major aspect of the film is the setting. Bringing to life an eerie feeling,Show MoreRelatedThe Falafel Of Imminent Philosophical Wisdom2538 Words   |  11 PagesGaiman: one of the most renowned authors ofmany novels, comic books, graphic novels, audio theatre and filmsin modern British history and winner of multiple Eisner, Hugo, Newberry, and Nebula awards. Well known in American culture for works such as Coraline, The Graveyard book,American Gods,Good Omens, and The Sandman, Gaiman is a treasure to all of humankind.â€Å"He’s 5†² 10†³ tall, owns a number of black T-shirts, and although he’s not overly keen on banana daiquiris, is always very flattered when appreciativeRead MoreTheater Review : The Arabian Nights1262 Words   |  6 PagesTheater Review: The Arabian Nights On Sunday, March 19, 2016, I had the pleasure of attending Cal State University San Bernardino’s The Arabian Nights musical theater production written by Mary Zimmerman and adapted from the classical story of â€Å"The Book of the Thousand Nights and One Night†. Run time was a total of 2 hours and 35 minutes, with special ticket pricing for students was 6 dollars, general being 15 dollars and special 12 dollars. As the book suggests the original story consists of 1001

Donald Davidson Essay Research Paper In Shakespeares free essay sample

Donald Davidson Essay, Research Paper In Shakespeare? s Hamlet, there is a slaying, and it doesn? Ts say straight out who the slaying is. There are no investigators on the instance. No 1 within in the province is truly oppugning the slaying of the King except for his boy. It may non hold all the customary qualities of detective narrative, but it does come across as a detective narrative in which Hamlet seeks to work out the cryptic decease and to avenge for his male parent. In an ordinary, mundane, mean offense the investigators try to calculate out who the culprit or culprits are. This is non the instance in Hamlet, the lone grounds that comes across that the King was murdered was the apparitional figure who merely appeared to be Hamlet? s male parent. In scene five of act one, Horatio says to Hamlet after Hamlet talked to the shade that? These are but wild and twirling winds. We will write a custom essay sample on Donald Davidson Essay Research Paper In Shakespeares or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page ? This inquiries the word of Hamlet by demoing the he might be conceive ofing things. Besides, the new King and Hamlet? s mother think he is huffy. There may hold even been a inquiry in Hamlet? s head and that possibly why he delayed his retaliation. This is where it appears to go a detective narrative. Hamlet has a intuition that his uncle, the new male monarch, killed his male parent. Hamlet sets up a trap for the new male monarch by watching his reaction to the drama, which was based on the manner the shade told Hamlet he died. After that Hamlet may hold had the concluding support to revenge his male parent? s decease. The motivation for the new male monarch to kill Hamlet? s male parent was crystal clear. He married Hamlet? s m other after merely two months. He evidently besides became the new male monarch every bit good. Hamlet had that support early and he seemed the lone one to being a investigator. What made it look more like a offense and a detective narrative was the manner Claudius made his moves. He tried to cover up his action really carefully. The male monarch had Rosencrantz and Guildenstern over expression Hamlet? s? transformation. ? The male monarch says in scene two of act two, ? ? so by your companies to pull him on to pleasances, and to garner so much as from juncture you may reap, whether nothing to us unknown afflicts him therefore that, open? vitamin D, lies within our remedy. ? Hamlet does non do this easy for the male monarch to acquire any information because he was either huffy or moving mad, that? s a determination that is up to the reader. There seemed to be two motivations behind Hamlet? s drama every bit good. The first ground was to see the reaction of the male monarch. The second was possibly to set uncertainty in other people in the province or convey up the inquiry that his male parent may hold been murdered. Hamlet is really underhand and smart like a investigator. Shakespeare? s Hamlet may hold non meant to be a detective narrative and surely was different than the mean 1. Shakespeare puts a batch of oppugning in this narrative. This seems to be a detective narrative, it can be questioned, but it does hold the basic portion of one. Hamlet plays the portion of detective really good. There was a offense and at that place seemed to be a enigma to calculate out. This is a well-written detective narrative that underlies a narrative about power, retaliation, and fraudulence.

Music Can Be Seen as Related to Gender. free essay sample

One of the reasons why gender has perhaps often been considered to be more social, and sex in turn more natural, is that gender is usually more visible as a series of conventions about dress codes, expected public bodily behavior, manner of speech and so on. Sex, however, is closely connected to sexuality, which has often been informed by beliefs that this should be a more private affair. The distinction between sex and gender is therefore both ideological and misleading.Here I follow the approach of Weeks, who has argued that gender is the social condition of being male or female, and sexuality, the cultural way of living out our bodily pleasures and desires (1986:45). Is rock itself an inherently masculine genre? One of the earliest attempts to start theorizing the relationship between rock music and sexuality can be found in an essay Ritter by Simon Firth and Angela Microbes (1978), in which they argued that rock operated as a form of sexual expression and as a form of sexual cont rol. We will write a custom essay sample on Music Can Be Seen as Related to Gender. or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Firth and Microbes declared that, in terms of control and production, rock is a male form (1 978: 5). This argument was illustrated with reference of two different types of music: cook rock and teenybopper. Cook rock is a term that was coined by feminists during the early sass to refer to male performers such as Mock Jaeger, Roger Dallier and Robert Plant, who were aggressive, dominating and boastful. Women were often portrayed as subordinate in heir songs and represented as sex objects on LIP covers. The music was loud, rhythmically insistent, built around techniques of arousal and climax, the lyrics are assertive and arrogant Sock rockers musical skills become synonymous with their sexual skills (Firth and Microbes (1978: 7). They believe that men dominate and control the production, reproduction and dissemination of rock music and this is reflected in the music. Comparing this with teenybopper, which was judged to be consumed almost exclusively by girls, Firth and Microbes found a contrasting representation of male sexuality eased on softer ballad styles, and evocations of self-pity and vulnerability which encouraged female fantasies about being the partner of a singer.Firth and Microbes argument was based on a narrow series of essentialist assumptions which privileged heterosexual behavior. As Weeks (1986) has argued, male and female sexuality is far more varied and differentiated. Against Firth and Microbes argument that rock is male because it is controlled by men and therefore expresses a male sexuality, Robert Waller (1993) has proposed a more dynamic and historical approach by claiming that Sock has been actively made as male.Focusing on a specific submerge, heavy metal, he notes that heavy rock is not enjoyed entirely by male audience and neither does it communicate one type of masculinity. Waller continues to argue that heavy metal musicians do not simply express some essential maleness but instead are involved in what he calls forging masculinity. This is not a type of unmediated cultural expression but a conscious and deliberate strategy. Waller argues that for most of its early history, heavy metal was actively made as male through a series of quite particular practices, strategies ND tactics.Waller identified four such strategies that he found articulated in song lyrics, through the use Of musical codes and music videos. These he has identified as: 1 ascription, which means no girls are allowed; 2. ) misogyny, an anti-woman strategy which results in women appearing in songs and videos as mysterious or dangerous and as a threat to male control; 3. ) romance, a cultural strategy whereby love, escape and fantasy provide a means of transcending everyday problems; 4. Androgyny, which is an ambiguous and contradictory strategy while using elements of inflectionally feminine clothing (lace, stockings and make-up), many hard rock musicians seek to assert their heterosexuality and are anxious that their androgyny should not lead t o their sexuality being wrongly attributed as gay by fans, other musicians or journalists. Agree with Goodliest and Wald when they argue that rock can provide a means by which women can actively create distinctive female subcultures by using the example of Riot Girl.The label Riot Girl typically applied to a US sub-genre of alternative rock performed by female artists and groups that emerged in the early 1 sass. The Musical style appropriates elements of punk, hard-rock and grunge. Women musicians challenged the use of the guitar as a symbol of male power; the female voice was employed to challenge the macho assertiveness of rock in particular through screaming and the adoption of a variety of vocal sounds that were used to evoke rage, pleasure and/or primal self assertion (Goodliest and Wald, 1994: 261).As performers, women neither tried to become one of the boys nor played up to the traditional feminine image by seeking the heterosexual male gaze. Lyrically the songs dealt with taboo or private issues such as menstruation, incest, abuse, birth, motherhood and lesbian s ex. Riot Girl paved the way for wider recognition of women artists and groups In alternative rock genres (whether or not explicitly political in nature). However, Goodliest and Wald tempered their optimism with the observation that, despite the advances made by a few female performers, the on-going tradition of rock is still deeply masculinity (1994: 252).After all, where are the female rock musicians who might challenge the success of Guns N Roses, 132 or ERM? The conclusion that might be drawn from this rating on rock and sexuality is that rock is a genre that has been sexed in a very particular way, and as such its generic codes and conventions can present a formidable barrier to musicians who went to challenge and change them. One quote that agrees that rock is male, is made by Julie Burials (1994) where she states that l know its a sexist thing to say, but women arent as good at making music as men like theyre not as good as men at football.A girl in a dress with a guitar looks weird. . Its k on the radio, because you cant see them. Christie Handy is an exception. Very few of them are exceptions. And if they dont have a guitar, they become the dumb girl in front of the band. Im not a great fan of girls in pop. There are just two types of female making pop music today those blessed with good looks, and those who would perhaps be better served by an undercover visit to the local plastic Surgeon. [Women rockers] are just indulging in ugly Winning bleating.When ugly winning get left by some scrawny, spotty failed musician they blame the whole world but you couldnt give a chits because they sound so bucking whiningly horrible. Paul Lester (1992), This is a pretty harsh comment to make, suggesting that only pretty women can pull off being a rock musician. It should not be based on looks, after all, not a lot of male rockers are attractive. An example of a Riot Girl Group is Hole that were formed in 1989. They are not (considered to be) an original Riot Girl group although there are musical, lyrical and attitudinal similarities.Their key albums are: pretty on the Inside (1 991 Live Through This (1 994); celebrity Skin (1998). Their musical output was often dominated by Loves (controversial) public image. Live Through This draws on punk, rock and grunge and it parallels with Nirvanas Nevermore. It utilizes alternating soft verse/explosive chorus (cuff. Nirvana). This Riot Girl group has an abrasive and ironic/worldly vocal delivery (as opposed to the stereotypically polished or sweet-sounding female vocal). It is made catchy with the use of melodic pop hooks and antithetic chorus.The lyrics synthesis the intimately confessional with the socially relevant (again, producing songs that operate both individually and collectively). Powerful use of dynamic contrast at all levels acoustic v heavy extortion; gentle low register v shouting/screaming high register; understated verse v powerful chorus. Riot Girl was essentially about empowerment but, wary of the bad press, the Riot Frumps and Feminine tags, many women in bands distanced themselves from it in droves.Riot Girl ultimately was a fanzine-led flashing, a media rocket supporting the key- issue a womans place in art and rock culture. (O Brine, p. 164) It is not just rock that has been generically sexed, but also disco and jazz. When writing about rock, Firth and Microbes had argued that disco expressed a sexuality which was cool, restrained and understated (1978 : 19). Basing many of their observations on the disco movie Saturday Night Fever, they wrote of the social relations of disco as traditional girls dreaming of disco romance and boys dreaming of quick and easy sex (1978: 19).Yet disco music, far from being associated simply with traditional heterosexual conventions, is a genre that has frequently been linked with gay male sexuality. Richard Dyer argues that disco has been taken up by gays in ways that may well not have been intended by its producers (1990:413). The apparent gayness of disco has been questioned by John Gill (1 995), who has been critical of many of the assumptions that have been made about gay preferences in music (e. G. Who says that gay men prefer opera, show tunes and disco? . Gill is particularly critical of the way that gay disco music has become something of a sexual stereotype among both gay and non-gay music fans. I believe that although disco may not have been intended to be gay by its producers, it has still somewhat become gay with its cheesy music/lyrics, bright colors, fancy, over-the-top clothing etc. In discussing this he has made some interesting observations on the sexing of musical genres and in particular about the sexing of jazz.Gill has noted how the lesbian, gay and bisexual aspects to the lives and music of many prominent composers and musicians have often been excluded from jazz biographies. He has illustrated the point further by referring to the experiences of the gay jazz musician Gary Burton, whose experiences has led him to conclude that jazzs public image does not fit well with being a gay person (1995:75). This is an interesting observation because or many of its devotes jazz is thought not to have an image (unlike the excesses of rock performance for example).Yet, as Burton observes from touring and performing; Many people still persist in wanting jazz to be played by bucked-up addicts and alcoholics, in cramped smoky clubs, while wearing garish clothes and silly hats and sunglasses and talking jive talk. I get complaints all the time about not looking the part (Gill 1995:75). This argument about males being superior, has been going on for many years, long before rock, jazz or disco. As Susan McClain states with her argument that, much of the Western classical tradition can be understood as patriarchal.She gives four such examples: 1 . ) The exclusion of, or writing out of history of, women composers and performers: 2. ) The use of gendered terms (e. G. feminine ending or feminine cadence); 3. ) The stereotypically gendered portrayal of female (and male) characters in opera; 4. ) That sonata form itself plays out a narrative of masculine domination. Doll Bernhard Marx once stated in his lengthy discussion of sonata form that in sonata form he first theme is masculine and the second theme feminine. In this pair of themes. .. The first theme is the one determined at the outset, that is, with a primary freshness and energy consequently that which is energetically, emphatically, absolutely shaped The dominating and determining feature. On the other hand, the second theme. .. Is serving as a contrast, dependent on and determined by the former consequently, and according to its nature necessarily, the milder idea, one more supple than emphatically shaped, as if it were the feminine to that proceeding masculine.The construction of gender that he suggested here would become one of his most influential assertions, one that has become both disturbing and deeply problematic. Burlier also thought of the first exposition theme of his Symphonies fantasies as a construction of the feminine, not the masculine, as would apparently also be true, much later, of Wagered Satisfied-lewdly. Also with Mendelssohn Overture to A midsummer nights dream from 1826, were the second theme was meant to evoke the feminine. Another use of the gendered term feminine is also used to describe cadences. The general idea mongo musicians is that the feminine cadence is weak and the masculine strong. But this general idea is erroneous. The feminine cadence is often stronger than the masculine and is used in powerfully rhythmic music such as polonaises. To conclude, I do believe that rock has been actively made as male. However, I do not agree that only males can play rock, as have witnessed myself many female rock bands sing and play equally (sometimes better) than male rock bands. Heavy metal may have been made in a very heterosexual manner, but it still might provide a number of possibilities for he making of an anti-sexist rock.